00:00 Introduction, solo melody (EWI), hoe-down style melody.
00:08 Violin joins the EWI.
00:16 Piano pattern is added.
00:30 Second section to the reel (B).
00:38 Repeat of B section.
00:54 The violin and the EWI become independent, they introduce new melodic material with counterpoint between the violin and EWI. Notice the long sustained tones behind the violin and EWI (like a drone used in Irish dances)
01:09 The melodic line leaves the reel style and adopts a more bop-like style
01:17 Melody returns
01:40 Melody gets more extended and more bop-like as it sets up the next section
02:12 Full rhythm section, drums, bass, and keyboards, extended rock rhythmic patterns. Brecker now plays tenor sax.
02:20 Synthesizer harmonic accents behind Brecker
02:40 Chordal sounds from the sax and synthesizers. Notice how the sax works with the synthesizer to form a psuedo saxophone section.
03:17 Notice the acoustic piano sounds over the slow moving but syncopated bass notes.
03:40 Complex ensemble patterns, drummer accents all ensemble patterns. The ensemble works over a drone (or pedal point) of long tones
04:18 Tenor sax solo (improvised) with slow syncopated notes as backup
04:47 Tenor sax plays rhythms with the ensemble background momentarily.
05:00 Rhythm section maintains a static harmonic texture with varying accents. Brecker builds the melodic line to a climax.
05:20 Bass line finally begins to move up and then back down but still working against the frozen harmonic region
06:11 Climax of solo.
06:20 Return to reel theme, violin joins the melody.
06:56 Repeat of theme with slight variations.
07:01 Violin and sax become very soloistic and independent.
07:40 End
